Fragmentations have created negative space only to reveal new ephemeral spaces of light and disjointed remnants of domestic desire and routine history.
Fracturing the space throughout, there are beautiful moments within the discard, the disruption and the reconstitution of this address.
Amidst the clamor of what took place over the course of several weeks at this house was the neighborly wonderment of two small children who lived next-door. Curious of the noises as the days went on, they could not wait to attend the opening reception with little plastic hammers in hand, ready to demolish and help with the demise (or the unbeknownst) reconstruction of the place. Seeing these tots wandering the partitions with curious looks, holding these little plastic hammers - ready - I forgot a lot about whatever was bugging me that day, and wondered about the negative space that is embedded in the innocence we lose as we get older. How often I want to just f* sh*t up with a hammer - even with the most helpful intentions. Ultimately, well, it's just not what reasonable grown-ups do...
Miss Door, dipped into the water to cool her heels - she had had enough of keeping people out and letting them in. Her distance between them always in periphery. Her hand, always taken and turned - either way, she was always the same to them, just inverted depending on which way the person was going. It is strange being in a constant state of limbo.
In all - the address - the house that once was is in a suspended state of progress within progress in order to be demolished in the near future. It will be gone - negated, replaced by something grand and monumental...better? Regardless, it's purpose as a place will always be, no matter what form it takes.
This post is regarding "3020 LAGUNA IN EXITUM: An artist project".
For more information about this project and the artists involved view this link. (as of Jan 31, it will be updated periodically, so check every so often for new entries)
Curated by Amir Mortazavi and David Kasprzak.
Artists are: Jeremiah Barber, Randy Colosky, Chris Fraser, Christine Peterson, Yulia Pinkusevich, Jonathan Runcio, Jesse Schlesinger, Gareth Spor and Andy Vogt.
more about the curators here
